Hermeto Pascoal takes traditional Brazilian rhythms, slices and dices them, and then reconstructs them in dizzying pastiches. He adds jazz harmony, which is frequently discordant or non-function chromatic harmony. Hermeto frequently includes sounds which would not normally be considered musical, which serve as an odd sort of percussion. And the energy of the music is astonishing. For me, the cure for that is to put it on with four other CDs and play it randomly. His understanding of music as a vital force, emanating organically from everything in Earth, is reminiscent of Kepler's music of the spheres and conducted to eccentric performances and recordings with pigs, kettles, and anything at hand. He has also developed the Sound of the Aura concept, in which music is developed out of people's speech, traffic noise, and out of every possible source of sound.
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